\u00a9 Marlene Fr\u00f6hlich<\/p>\n
<\/p>\n
\u201cUno per tutti, tutti per uno\u201d questo il motto dei fratelli Feilmair, due giovani musicisti che, parallelamente alla brillante carriera da solista, portano avanti l\u2019attivit\u00e0 concertistica in duo, gi\u00e0 fermata in tre CD.<\/p>\n
Con grande sensibilit\u00e0 musicale il Duo Feilmair<\/strong> valica i confini della musica classica. All\u2019alto livello tecnico si aggiunge una marcata giocosit\u00e0 che permette alle ricche sfumature musicali delle proprie esibizioni di sfociare in ritmi e tonalit\u00e0 del jazz.<\/p>\n Il concerto al Forum Austriaco di Cultura Roma\u00a0\u00e8 strutturato appunto per presentare tanto l\u2019ampia gamma musicale offerta dalla combinazione dei due strumenti, quanto il virtuosismo del duo. Un programma diversificato in cui pianoforte e clarinetto restituiscono sonorit\u00e0 variopinte di composizioni classiche e contemporanee, in un\u2019elegante alternanza fra formalit\u00e0 e brio.<\/p>\n <\/p>\n Programma<\/strong><\/p>\n \u00a0<\/strong><\/p>\n Carl Maria von Weber\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Grand Duo concertant<\/strong> op. 48<\/p>\n (1786-1826)\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Allegro con fuoco<\/em><\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Andante con moto<\/em><\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Rondo. Allegro<\/em><\/p>\n Ferruccio Busoni\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Suite per clarinetto e pianoforte<\/strong>, K 88<\/p>\n (1866-1924)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201eFr\u00fche Charakterst\u00fccke\u201c<\/strong><\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Improvvisata<\/em><\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Elegia<\/em><\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Danza campestre<\/em><\/p>\n Bela Kovacs\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Omaggio per clarinetto solo\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/p>\n (*1937)<\/p>\n Helmut Rogl\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tango<\/strong> op. 56<\/p>\n (*1960)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0(pianoforte solo, composto nel 2013 per Florian Feilmair)<\/p>\n Paquito d\u2019Rivera\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Two pieces<\/strong><\/p>\n (*1948)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Valse Venezolano<\/em><\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Contradanza<\/em><\/p>\n Francis Poulenc\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sonata per clarinetto e pianoforte <\/strong><\/p>\n (1899-1963)\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Allegro tristament<\/em><\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Romanza<\/em><\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Allegro con fuoco<\/em><\/p>\n <\/p>\n cenni biografici<\/p>\n Benjamin Feilmair (clarinetto)<\/strong><\/p>\n (*1991) Studi a Vienna presso la Musikuniversit\u00e4t<\/em> e il Konservatorium<\/em> con i proff. Johann Hindler, Matthias Schorn (Wiener Philharmoniker<\/em>) e Alexander Neubauer (Wiener Symphoniker<\/em>). Fra i numerosi riconoscimenti internazionali come solista e musicista da camera si ricorda il premio come Artist of the Year<\/em> di Bank Austria (2014). Esibizioni presso il Musikverein Wien<\/em>, Konzerthaus Wien<\/em>, o nell\u2019ambito di festival quali Salzburger Festspiele<\/em> e Festspiele Mecklenburg-Vorpommern<\/em>, come anche in orchestra (da sostituto) con i Wiener Philharmoniker<\/em>, Wiener Symphoniker<\/em>, Radio-Symphonieorchester Wien<\/em>. Gi\u00e0 membro dell\u2019accademia dei Bamberger Symphoniker<\/em> (2014), dal 2016 \u00e8 primo clarinetto della Rheinische Philharmonie<\/em> di Coblenza. Ha all\u2019attivo tre CD.<\/p>\n Florian Feilmair (pianoforte)<\/strong><\/p>\n (*1989) Inizia gli studi gi\u00e0 durante il periodo scolastico, continua presso l\u2019universit\u00e0 privata Anton Bruckner a Linz (prof. Naoko Knopp) e presso la Universit\u00e4t f\u00fcr Musik und darstellende Kunst <\/em>a Vienna (prof. Jan Gottlieb Jiracek von Arnim). Numerosi riconoscimenti, fra cui: 1. premio nella sezione pianoforte e il Klassikpreis.\u00d6sterreich<\/em> per l\u2019interpretazione insieme all\u2019orchestra del Mozarteum<\/em> del 3. concerto per pianoforte di Beethoven al concorso gradus ad parnassum<\/em>; 1. premio al concorso per pianoforte Neue Sterne<\/em> (2011, Wernigerode – Germania); 3. premio al concorso internazionale per pianoforte Silvio Bengalli<\/em> (2013, Val Tidone – Italia); 2. premio alla XXVII edizione del Concurso Internacional de Piano Cidade Ferrol<\/em> (Spagna); 2. premio al concorso pianistico di Verona (2014, Italia); 2. premio al New Orleans International Piano Competition<\/em> (USA). Nel 2014 debutta presso il Gro\u00dfes Festspielhaus<\/em> (Salisburgo). Esibizioni regolari presso il Wiener Konzerthaus<\/em> (Vienna), il Musikverein<\/em> e il Brucknerhaus<\/em> a Linz, sia come solista che in importanti orchestre come: Louisiana Philharmonic Orchestra<\/em> (2015), M\u00fcnchner Symphoniker<\/em> (2015), Mozarteum Orchester Salzburg<\/em>, Brucknerorchester Linz<\/em>, Wiener Kammerorchester<\/em>, Philharmonisches Kammerorchester Wernigerode<\/em> e Philharmonie Salzburg<\/em>. Oltre all\u2019attavit\u00e0 da solista suona in formazioni da camera prevalentemente con il fratello, il clarinettista Benjamin Feilmair, con cui ha all\u2019attivo 3 CD.<\/p>\n \u00a0<\/strong><\/p>\n Per le proprie manifestazioni il Forum Austriaco di Cultura Roma si avvale di un servizio di vigilanza, che provvede a un controllo di sicurezza all\u2019ingresso. L\u2019ingresso alle manifestazioni \u00e8 consentito a partire da mezz\u2019ora prima dell\u2019inizio della manifestazione.<\/strong><\/p>\n Durante le manifestazioni del Forum Austriaco di Cultura Roma, gli organizzatori produrranno materiale foto e\/o video che potr\u00e0 essere utilizzato dall\u2019istituto.<\/strong><\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" \u00a9 Marlene Fr\u00f6hlich<\/p>\n <\/p>\n \u201cUno per tutti, tutti per uno\u201d questo il motto dei fratelli Feilmair, due giovani musicisti che, parallelamente alla brillante carriera da solista, portano avanti l\u2019attivit\u00e0 concertistica in duo, gi\u00e0 fermata in tre CD.<\/p>\n Con grande sensibilit\u00e0 musicale il Duo Feilmair valica i confini della musica classica. All\u2019alto livello tecnico si aggiunge una marcata giocosit\u00e0 che permette alle ricche sfumature musicali delle proprie esibizioni di sfociare in ritmi e tonalit\u00e0 del jazz.<\/p>\n Il concerto al Forum Austriaco di Cultura Roma\u00a0\u00e8 strutturato […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"tags":[],"tribe_events_cat":[3],"class_list":["post-4146","tribe_events","type-tribe_events","status-publish","hentry","tribe_events_cat-musik","cat_musik"],"_links":{"self":[{"href":"https:\/\/www.austriacult.roma.it\/de\/wp-json\/wp\/v2\/tribe_events\/4146","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.austriacult.roma.it\/de\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/www.austriacult.roma.it\/de\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/www.austriacult.roma.it\/de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.austriacult.roma.it\/de\/wp-json\/wp\/v2\/comments?post=4146"}],"version-history":[{"count":0,"href":"https:\/\/www.austriacult.roma.it\/de\/wp-json\/wp\/v2\/tribe_events\/4146\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.austriacult.roma.it\/de\/wp-json\/wp\/v2\/media?parent=4146"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.austriacult.roma.it\/de\/wp-json\/wp\/v2\/tags?post=4146"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/www.austriacult.roma.it\/de\/wp-json\/wp\/v2\/tribe_events_cat?post=4146"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}