\u00a0\u00a9Thomas Schwentner<\/p>\n
Quest\u2019anno il Festival Nuova Consonanza sceglie il Arcus Ensemble Wien<\/em>, un trio composto da Erich Oskar H\u00fctter al violoncello, Andreas Schablas al clarinetto e Janna Polyzoides al pianoforte. Il concerto, in occasione del 90. anniversario dalla nascita di Friedrich Cerha, propone musiche del compositore austriaco e di altri colleghi contemporanei.<\/p>\n Il concerto sar\u00e0 preceduto da una breve introduzione del Presidente di Nuova Consonanza, Lucio Gregoretti.<\/p>\n Janna Polyzoides<\/strong> (pianoforte), Andreas Schablas<\/strong> (clarinetto) e Erich Oskar Huetter<\/strong> (violoncello) formano dal 2003 l\u2019attuale nucleo del Arcus Ensemble Wien. Il Arcus Ensemble Wien<\/strong> debutta nell\u2019autunno del 2007 presso il Musikverein<\/em> di Vienna e partecipa regolarmente al rinomato festival. Numerose tourn\u00e9e concertistiche portano l\u2019ensemble in Polonia, Israele, Italia e Cina. In Austria l\u2019ensemble si esibisce fra gli altri al Mozarteum<\/em> di Salisburgo, alle Gmundner Festwochen<\/em>, al Brahmsfest<\/em> di M\u00fcrzzuschlag, Eggenberger Schlosskonzerte<\/em> a Graz e al Musikverein<\/em> di Vienna (Martinu-Zyklus<\/em>, Fr\u00fchlingsfestival<\/em>, Hommage \u00e0 Friedrich Cerha<\/em>).<\/p>\n Nel dicembre 2007 esce il primo CD con brani per clarinetto, violoncello e pianoforte di Alexander Zemlinsky, Carl Fr\u00fchling e Johannes Brahms. Del 2012 il CD (NEOS) con opere di Friedrich Cerha, fra cui \u201eF\u00fcnf St\u00fccke\u201c del 2000.<\/p>\n Nota all\u2018ascolto<\/strong><\/p>\n Il brano \u201ePortraits\u201c di Gerd K\u00fchr<\/strong>, per violoncello e pianoforte, \u00e8 stato ispirato dal testo di Elias Canetti Der Ohrenzeuge. F\u00fcnfzig Charaktere<\/em> (Il testimone auricolare. Cinquanta caratteri<\/em>). Slanci e rotture caratterizzano la rappresentazione musicale suscitata dalla prosa di Canetti, premio Nobel per la letteratura nel 1981.<\/p>\n \u201eF\u00fcnf Bruchst\u00fccke\u201c per clarinetto e pianoforte di J\u00f6rg Widmann<\/strong> presenta tratteggi ed eccessivi moti pendolari inframezzati da parentesi romantiche. Una composizione che vive di esili frammenti rumorosi e intensit\u00e0 di colore che cambia drasticamente.<\/p>\n La sorpresa della serata \u00e8 la prima assoluta del trio composto per il Arcus Ensemble Wien da Gabriele Cosmi<\/strong>.<\/p>\n \u201eF\u00fcnf St\u00fccke\u201c per trio di Friedrich Cerha<\/strong> \u00e8 stato composto in occasione del 50. compleanno di Heinrich Schiff come unit\u00e0 ciclica. Pianissimi che si spengono, colori scuri, lamenti, caratteri corali, movimenti poliritmici complementari.<\/p>\n \u00a0<\/strong><\/p>\n \u00a0<\/strong>Programma <\/strong><\/p>\n Gerd K\u00fchr<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Portraits. Acht musikalische Gesten f\u00fcr Violoncello und Klavier<\/p>\n (*1952)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0(1993)<\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (otto gesti musicali per violoncello e pianoforte ispirati a<\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Il\u00a0testimone auricolare<\/em> di Elias Canetti)<\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Die Mondkusine (La Cugina lunare)<\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Der Saus und Braus (Il Turbogaudente)<\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Die M\u00fcde (La Stanca)<\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Die Erfundene (L\u2019immaginaria)<\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Der Maestroso (Il Maestroso)<\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Der Wortfr\u00fche (Il Lingualesta)<\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Die Geruchsschmale (La Stringinaso)<\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Die Mannspr\u00e4chtige (L\u2019Abbagliauomini)<\/p>\n Gabriele Cosmi<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Trio No. 2 (prima assoluta)<\/p>\n (*1988)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0(dedicato al Arcus Ensemble Wien)<\/p>\n —-<\/p>\n J\u00f6rg Widmann <\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 F\u00fcnf Bruchst\u00fccke (1997)<\/p>\n (*1973)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0(cinque frammenti)<\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 per clarinetto e pianoforte<\/p>\n Friedrich Cerha<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 F\u00fcnf St\u00fccke (1999-2000)<\/p>\n (*1926) \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (cinque brani)<\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 per clarinetto in la, violoncello e pianoforte<\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sehr ruhig (molto calmo)<\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Viertel = 108 (semiminima = 108)<\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Viertel = 46 (semiminima = 46)<\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Heftig (impetuoso)<\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ruhig (calmo)<\/p>\n \u00a0<\/strong><\/p>\n cenni biografici<\/strong><\/p>\n Andreas Schablas<\/strong> (clarinetto) frequenta la scuola di musica Johannes Brahms a M\u00fcrzzuschlag (Austria) e continua i propri studi presso le Universit\u00e0 di Musica a Graz e a Vienna (Prof. Johann Hindler). Al repertorio classico affianca brani del XX e XXI secolo. Si esibisce quindi nella prima assoluta del concerto per clarinetto di Jean Fran\u00e7aix e di Friedrich Cerha. Suona musica contemporanea per clarinetto e clarinetto basso in solo e con il \u00f6sterreichisches ensemble f\u00fcr neue musik <\/em>(oenm), come anche musica da camera in diverse formazioni. Membro del Mozarteum Orchester Salzburg<\/em> fino al 2008, dal 2010 primo clarinetto per il Bayerischse Staatsorchester<\/em>. www.schablas.info<\/a><\/span><\/p>\n \u00a0<\/strong>Erich Oskar H\u00fctter <\/strong>(violoncello) studia con Hildgund Posch (Graz), Antonio Lysy (Montreal), Reinhard Latzko (Basilea), Janos Starker (Bloomington), Ralph Kirshbaum (Manchester) e Mischa Maisky (Siena). Esibizioni da solista per la direzione di Daniel Barenboim e orchestre (Basler Symphoniker<\/em>, Radiosinfonieorchester Basel<\/em>, Stuttgarter Kammerorchester<\/em>, Mazedonische Philharmonie<\/em>, Collegium Pro Musica Genova<\/em>, Moskauer Kammerorchester<\/em>. Esibizioni presso diversi festival: Musikverein<\/em>, Konzerthaus<\/em> (Wien), Mozarteum<\/em> (Salzburg), Brucknerhaus<\/em> (Linz), styriarte<\/em> (Graz), Casino<\/em> (Basel), Beethoven-Haus<\/em> (Bonn), Vaticano (Rom), Philharmonie<\/em> (Berlin), Konzerthaus Lisinski<\/em> (Zagreb), Emilia Romagna Festival<\/em> (Bologna), Library of Congress<\/em> (Washington), ONU<\/em> (New York City), JMC<\/em> (Gerusalemme), Schleswig-Holstein Musikfestival<\/em>, Glocke<\/em> (Bremen), Fundacion Beethoven<\/em> (Santiago de Chile), International Mozart Festival<\/em> (Johannesburg). Dal 2004 dirige la classe di violoncello di Daniel Barenboim del progetto musicale a Ramallah. Masterclass: Stift Admont, Cipro, Israele, Cina, Singapore e Stati Uniti. Membro del Arcus Ensemble Wien<\/em> e del Hyperion Ensemble Salzburg<\/em>. Suona musica da camera e recital insieme al pianista Paul Gulda e al chitarrista Armin Egger. Nel giugno 2006 fonda e dirige il progetto interculturale di musica da camera \u201eSounding Jerusalem<\/em>\u201c in Israele e nei territori palestinesi occupati. Direttore artistico del Steirisches Kammermusikfestival<\/em> e direttore dell\u2019associazione socio-culturale A.MUS.E<\/em> (Austrian Music Encounter<\/em>) con progetti a Graz (haus.kultur<\/em> \u2013 Die Steirischen Nachbarschaftskonzerte<\/em>), Sudafrica e Angola.www.erichoskarhuetter.com<\/a>\u00a0<\/span>\u00a0<\/strong><\/p>\n Janna Polyzoides <\/strong>(pianoforte) studia all\u2019Universit\u00e0 di Musica di Graz con Sebastian Benda e a seguire con Rudolf Kehrer, Alexander Jenner, Eliane Richepin e Gy\u00f6rgy Kurt\u00e1g. Festival: Wien modern<\/em>, Menuhin-Festival Gstaad<\/em>, „styriarte<\/em>“ Graz, Wiener Festwochen<\/em>. Concerti: K\u00f6lner Philharmonie<\/em>, Wigmore Hall London<\/em>, Hamburger Musikhalle<\/em>, Athens Music Hall<\/em>, Warschauer Philharmonie<\/em>, Konzerthaus<\/em>, Musikverein<\/em> di Vienna, Mozarteum<\/em> di Salisburgo (insieme a Deutschn Kammerakademie Neuss<\/em>). Membro di: Arcus Ensemble Wien<\/em>, Camerata Polyzoides<\/em>, Duo Polyzoides<\/em> insieme a suo fratello, il violinista Demetrius Polyzoides. Dal 1998 al 2009 suona con il violoncellista Martin Hornstein. Collaborazioni con: Daniel Sepec, Rainer Honeck, Erich H\u00f6barth, Ernst Kovacic, Christian Altenburger, Fran\u00e7ois Benda, Gerald Pachinger, Matthias Schorn, Christophe Coin, Franz Bartolomey, membri del Artis Quartett<\/em>, Aron Quartett<\/em>, Klangforum Wien<\/em>, G\u00fcrzenich Quartett<\/em>, K\u00f6lner Streichsextett<\/em>. Ha all\u2019attivo 34 CD da solista e in ensemble. Con il triplo CD da solista (einklang_records), \u00e8 stata nominata nel 2008 per il premio della tv di stato austriaca ORF (Pasticcio-Preis<\/em>) e quello della critica tedesca (deutsche Schallplattenkritik<\/em>). Del 2012 un CD (Neos) con brani di Friedrich Cerha. www.jannapolyzoides.com<\/a><\/span><\/p>\n Per le proprie manifestazioni il Forum Austriaco di Cultura Roma si avvale di un servizio di vigilanza, che provvede a un controllo di sicurezza all\u2019ingresso. L\u2019ingresso alle manifestazioni \u00e8 consentito a partire da mezz\u2019ora prima dell\u2019inizio della manifestazione.<\/strong><\/p>\n Durante le manifestazioni del Forum Austriaco di Cultura Roma, gli organizzatori produrranno materiale foto e\/o video che potr\u00e0 essere utilizzato dall\u2019istituto.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" \u00a0\u00a9Thomas Schwentner<\/p>\n Quest\u2019anno il Festival Nuova Consonanza sceglie il Arcus Ensemble Wien, un trio composto da Erich Oskar H\u00fctter al violoncello, Andreas Schablas al clarinetto e Janna Polyzoides al pianoforte. Il concerto, in occasione del 90. anniversario dalla nascita di Friedrich Cerha, propone musiche del compositore austriaco e di altri colleghi contemporanei.<\/p>\n Il concerto sar\u00e0 preceduto da una breve introduzione del Presidente di Nuova Consonanza, Lucio Gregoretti.<\/p>\n Janna Polyzoides (pianoforte), Andreas Schablas (clarinetto) e Erich […]<\/p>\n","protected":false},"author":2,"featured_media":3929,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"tags":[],"tribe_events_cat":[3],"class_list":["post-3926","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tribe_events_cat-musik","cat_musik"],"_links":{"self":[{"href":"https:\/\/www.austriacult.roma.it\/de\/wp-json\/wp\/v2\/tribe_events\/3926","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.austriacult.roma.it\/de\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/www.austriacult.roma.it\/de\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/www.austriacult.roma.it\/de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.austriacult.roma.it\/de\/wp-json\/wp\/v2\/comments?post=3926"}],"version-history":[{"count":0,"href":"https:\/\/www.austriacult.roma.it\/de\/wp-json\/wp\/v2\/tribe_events\/3926\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.austriacult.roma.it\/de\/wp-json\/wp\/v2\/media\/3929"}],"wp:attachment":[{"href":"https:\/\/www.austriacult.roma.it\/de\/wp-json\/wp\/v2\/media?parent=3926"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.austriacult.roma.it\/de\/wp-json\/wp\/v2\/tags?post=3926"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/www.austriacult.roma.it\/de\/wp-json\/wp\/v2\/tribe_events_cat?post=3926"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}