<\/p>\n
Die K\u00fcnstlerin Monika Friedl<\/strong> besch\u00e4ftigt sich seit 1997 mit der Geschichte Sardiniens, vor allem im Rahmen ihrer Teilnahme an den internationalen Symposien Arte senza residui<\/em> e Le tracce<\/em> dell\u2019assenza<\/em>.<\/p>\n In ihren Arbeiten widmet sie sich auf sorgf\u00e4ltige Weise und in dokumentarischer Form den pr\u00e4gendsten Ereignisse des vergangenen Jahrhunderts. In ihrem Werk DDT bildet sie die „Spuren der Abwesenheit“ ab und zwar mit insgesamt 600 Fotos von noch heute auf T\u00fcren und Fassaden der kleinen Stadt Bosa sichtbaren gestempelten Zahlen. Sie zeugen von der damaligen historischen Malariabek\u00e4mpfung mit elf Millionen Litern DDT (1947-1958).\u00a0<\/p>\n Mit ihrer Schenkung \u00fcberl\u00e4sst Monika Friedl der Gemeinde Bosa und Sardinien ein Zeitzeugnis ersten Ranges. Durch die Fotos und die DDT-Stempel werden auch noch weitere Informationen wie die damaligen Wohnh\u00e4user und ihre Ver\u00e4nderungen und die Geschm\u00e4cker und Lebensweisen ihrer Bewohner im urspr\u00fcnglich mittelalterlichen Stadtkern sichtbar, der sich heute als buntes historisches Schichtwerk darstellt.<\/p>\n Die Veranstaltung ist Teil des von Valentina Piredda-Sardinia kuratierten Projekts Austriamentis2022, <\/em>Organisatorin ist die Kulturstadtr\u00e4tin Paola Pintus. Es nehmen teil: Cristina Concu, Direktorin der Musei Civici di Bosa, Amalia Santona, Direktorin des Archivio Storico di Bosa, und die \u00f6sterreichische Kunsthistorikerin Mag. Gabriele Huber.<\/p>\n 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